Hawaii’s Urban Birds

While Hawaii is known for its share of exotic tropical birds, it is also the home of many urban birds that originally were introduced through the years as pets or in an attempt to control other pests. These are the birds we see every day, almost everywhere on Maui.

Mockingbird
Yep. The good old Northern Mockingbird has a place here in Hawaii mimicking other birds and providing myriad other sounds.

Mockingbird

Pigeon
Found everywhere. Some folks raise them. You can tell this is a pet by his banded leg.

Pigeon
Pigeons

Pacific Golden Plover
This bird is most often seen during our winter here in Hawaii, but it actually spends half its year in Alaska or the Siberian Tundra. These birds, like Sanderlings and several other species, are capable of non-stop flights from their winter breeding grounds to the Hawaiian Islands for a warmer season! The Plover is called Kolea here.

Kolea (Pacific Golden Plover)

Sanderling
Another wintertime visitor that people are likely to see is this shorebird that spends half its time in the tundra up North as well. The Sanderling can be seen running around on our beaches looking for treats in the sand.

Sanderling

Night Heron
They may have night in their names, but these birds are seen anywhere and any time of the day hanging around swampy or marshy areas.

Night Heron
Night Heron

Sparrow
No shortage of these little guys.

Sparrow (male)

House Finch
Quite often seen in your garden just outside. The females lack the reddish color and most resemble Sparrows.

House Finch

Java Finch
These cute little birds are kin to Sparrows, but they don’t look like them at all. Originally introduced from Indonesia, Java Finches are the bane of many homeowners as they are the most effective bird for gaining entry to and nesting in your attic space.

Java Finches

Muscovy Duck
Easily recognizable. These guys occupy many of the ponds and canals around the island with the other introduced species of ducks.

Muscovy Ducks

Red Crested Cardinal
Originally from South America, these are my favorite urban birds. We also have the well-known Northern Cardinal in his all red attire.

Red Crested Cardinal
Red Crested Cardinal

Grey Francolin
Originally from the Middle East. These birds are often seen running more than flying, and they have the reputation of having the loudest and most obnoxious call…usually issued in the mornings, but can be heard throughout the day as well. Once heard, never forgotten.

Grey Francolin

Japanese White Eye
These guys move fast and they are quite small, but are fun to watch as they fly about your garden catching insects. Originally from Japan.

Japanese White Eye
Japanese White Eye

Spotted Dove
Originally introduced from Asia, these guys are the ultimate urban bird along with their cousins, the Zebra Dove.

Spotted Dove

Zebra Dove
Most folks are familiar with these guys because they are practically everywhere. These birds are quickly trained to take food from you.

Zebra Doves

Mynah Bird
These obnoxious and loud birds are found everywhere around the island. You will see them whether you want to or not. What’s most amazing about these birds is that they can be taught to speak a limited vocabulary!

Mynah Bird

Egret
Any urban bird list of Maui would be incomplete without these critters. Almost a pest, these guys enjoy hanging out with horses and cows, but are especially inclined to swarm landscapers and mowing crews. They can be seen following lawn mowers and picking out the newly displaced insects and lizards. I have seen literally 50 birds following a commercial mower along the roadside.

Egret
Egrets

Chicken
And the winner for most seen and heard bird on Maui is the Guinea Fowl, or Chicken as they are most commonly known. As soon as you land at Maui Airport, you will see these guys running around the parking lot.

Chickens

Rooster
The Chicken’s noisy counterpart…of course there are plenty of Roosters here too. This guy is up pretty early at our house and insists on crowing just outside our window at 4am every day.

Rooster

Here on Maui, we can watch a variety of birds from just about anywhere. Whether you’re checking out the natural beauty of the island or just cruising around the city, don’t forget to keep a lookout for some of these urban birds of Hawaii.

Summer Bon Dance

The end of the summer signals it’s that time of year when many people in Kula attend the Kula Shofukuji Mission bon dance. The bon dances are scheduled at Buddhist temples all over Maui, every weekend, all summer.

What is a bon dance? It’s Taiko drums and shakuhachi bamboo flute playing folk music from different parts of Japan.  The purpose is to honor those who have departed in the last year and show the ancestors that all is well.

My grandparents came from Hiroshima, Japan around 1907 with very few belongings. They brought their language and bits and pieces of their culture. One of the festivals the Japanese immigrants recreated was the bon dance. I’ve been attending them all of my life!

Growing up in Hilo on the Big Island where there’s not much to do at night when they roll up the sidewalks at 7, the bon dance in the summer was a very popular place to be. We watched the lead dancers with the beautiful kimonos and fans and copied their every move. When we played too much and laughed too loudly they kicked us out of the big dance circle.  We couldn’t fool anyone. We were there to see our high school friends that we didn’t see all summer except at the bon dances around town. It was a big social event to us and we were disrespectful of the meaning and purpose of  honoring our ancestors.

The food at every bon dance was different. At the Hilo Hongwanji we had to have the teriyaki sticks because we could smell them grilling all evening. Corn on the cob, saimin and chow fun were very popular too. This year on Maui the Kula bon dance featured chow fun and nishime (stew). The Paia Rinzai Zen Mission is popular for the live music and their excellent Okinawan speciality food. The Paia Mantokuji Mission sells the best little pies. The line to purchase the pies will tell you how everyone agrees with me!

Wrapping up the summer by attending the Kula Shofukuji Mission bon dance is a tradition. Families with graves at this temple on the steep slope put up lanterns, light incense and leave flowers. The sun was setting as grandma and auntie walked a little energetic 2 year old to their family’s gravestone. They were introducing him to grandpa’s grave and helping him to leave a can of soda. Some years the clouds roll in and lay a mist over the lanterns. This year the sun was setting on a day that was clear and warm. All that was left to do was dance.

Kula Shofukuji Shingon Mission Cemetery
Kula Shofukuji Mission Bon Dance

Maui’s annual bon dance festival schedule runs from June through September. Visit the calendar at Maui Taiko for upcoming events.

Hui No‛eau 2017 Youth Exhibition

Over 250 youth were a part of the Hui No‛eau Visual Arts Center’s summer arts program this year. With weekly themes covering various styles and subjects, the nine week Camp Kaluanui offered a chance for participants to work with a team of experienced artists, learning new skills and mediums for expressing their imaginations. The 2017 Youth Exhibition at the Hui No‛eau showcases the creative works of some of Maui’s youngest talents.

Claudio Marchetti’s Paper Flowers from the Sea study inspired the use of recycled paper and textured layers symbolic of the ocean environment. Imagery was based on botanical drawings of sea anemones by German Botanist/Artist Ernst Haeckel.

Underwater Adventures: Creativity Under the Sea

Maria Dougherty’s Polynesian Art project taught tribal design, repeating patterns, and oil pastel blending to ages 8-11.

House of the Sun: Hawaiian Habitats, Myths, and Legends

Students learned about artist Louise Nevelson’s abstract expressionism style of using abandoned objects to create sculptures. Teaching Artist Katie Peterson encouraged each young artist to find their own narrative, and the final pieces were spray-painted in a uniform color similar to Nevelson’s work.

100 Years of Kaluanui: Celebrating Famous Artists from 1917-2017!

An interactive activity table invited gallery viewers to create their own works of art by coloring coffee filters and crafting them into butterflies to be hung on the Hui wall.

“Watch  your colors move!…Let’s soar into the next century…”

More advanced projects included Tania Arens’ Adventurous Printmaking Exploration, a teaching of the process of drypoint etching using plexiglass. Collaborative artist Kelly Foss showed students how to draw their own faces, and the portraits were then transferred to the plexiplates for printing.

“Selfie” Self-Portraits: Painting & Printmaking Exploration

Visiting Artists David & Andrea Peterson’s enameling workshop demonstrated the use of powdered glass sifted onto copper shapes and fired in a hot kiln. Layers, masking, and scratching were used to make unique patterns.

Designer’s Studio: Explore Jewelry, Metalsmithing & Silkscreen Printing

Emilia De Castro’s “The New Wave” project was a study in Japanese artist Hokusai’s woodblock print “The Wave.” Students painted their own interpretations with acrylic on canvas.

The New Wave

The 2017 Youth Exhibition is a fun look at the creative abilities of Maui’s bright young artists. The show runs through August 24th, and the gallery is open daily from 9am-4pm. For more info, visit the Hui No‛eau website.

 

 

Kaluanui Centennial 10×10 Exhibition

One hundred years ago, celebrated architect C.W. Dickey designed the historic Kaluanui Estate for Harry and Ethel Baldwin. Now the site of Maui’s Hui No‛eau Visual Arts Center, the iconic property is being honored this year with the Kaluanui Centennial 10×10 Exhibition, a juried gallery showing of 100 selected works. Artists were challenged to create two-dimensional and three-dimensional pieces that fit within a defined space of ten inches (10″x10″x10″).

With artwork in a variety of mediums – from painting to photography to ceramics and more, this gallery exhibit is a delightful look at the many ways creative minds interpret the ten inch space.

Several paintings line the walls, and the imagery of island life is a featured theme.

“Views from Artist’s Home” by Jack Hamilton (oil)
“Celestial Travel” by Barclay Hill (wood, acrylic & oil)
“Island Auto Parts” by Joseph Fletcher (oil on panel)
“Chicken Picasso” by Carla Gangini (oil on panel)

Three-dimensional works include sculptural pieces, ceramics, and glass.

“She’s Gonna Blow!” by Barclay Hill (copper)
“Ribbon Vase” by Mary Ann Leigh (ceramics)
“Hold On! Here Comes Another One!” by Mary Ann Leigh (ceramics)
“Ho‛okipa Reef” by Rick Strini (glass)

Photography is given new life through the use of inventive design.

“Cat’s Cradle” by Grace Hazel (string, nail, analog photography)
“Goat on a Can” by Keri Meyer (vandyke brown on paper)

Mixed media and collage add a whimsical feel to the gallery.

“Sisters Again” by Sabrina Werkmeister (encaustic, mixed media)
“Not So Charmed” by Deybra Fair (mixed media)
“Before Time” by Sabrina Werkmeister (encaustic, mixed media)
“The Babysitter” by Lynette Pradiga (mixed media collage)

Kaluanui is celebrated through artistic works inspired by the estate.

“Untitled” by Teresa Gleason (low fire clay, glaze with acrylic)
“Kaluanui – Entrance to the Next 100 Years” by George Allan (oil on panel)

The Kaluanui Centennial 10×10 Exhibition is a colorful celebration of the artistic community’s appreciation for the historic charms of the Hui No‛eau’s iconic property. The show runs through Saturday, July 22nd and the gallery is open daily from 9am to 4pm.

Hui No‛eau Visual Arts Center’s Kaluanui Estate

The Hui will also be hosting a Kaluanui Centennial Celebration on Saturday, July 22nd from 10am to 2pm. The event will feature a family friendly day with tours of the property and art studios, interactive artist demos, local food trucks, and entertainment. For more info, visit their website huinoeau.com.

July 4th Window Display

Thirty four years ago I took my daughter to her first parade. I thought the Makawao Fourth of July parade would be a good one because it was very small and she would love seeing the horses. Her reaction surprised me. She thought she was supposed to join in and march down the street and be part of the fun. She was confused when I stopped her from running towards the marchers. Good thing it was a small parade then. The horses didn’t disappoint, and it was exciting to see people she knew marching so she could wave at them.

I was reminded of the wonderful community spirit of Makawao’s Fourth of July celebration by the window display at Holiday & Co. boutique. Designed by mother-daughter team Deybra Fair and Melody Koerber, the display takes the art of reuse and repurposing to a new level. Disposable food containers are turned into stars that hang from the ceiling and an old 4H sign cut up into boards directs you to “Nowhere.” Table cloths are elegant dresses and the denim outfit stitched together on the mannequin is turning heads. The Red Rodeo Queen has a crown made from a colander of course and a Rodeo Hipster guy is lucky to have a beard made from hapu’u fern “hair.” Deybra’s little horses in red and blue look on not knowing their importance on this day in this town.

Rodeo Queen with her red crown made from a colander and Rodeo Clown guarding the store
Little red horse got to be in the window next to the denim dressed cowgirl
Behind the scenes looking out at Baldwin Avenue and watching people look in was just as interesting

This window captures it all…humor, imagination and celebration! Kudos to Isabelle Buell, owner of Holiday & Co. for welcoming artists Deybra and Melody to dress the window. Deybra Fair is a versatile Maui artist working in a variety of mediums with a style that is unique and inventive. Her daughter Melody Koerber is a talented costume designer who has worked on the Pirates of the Caribbean and The Lone Ranger movies along with tv shows like Key & Peele.

Deybra Fair at Holiday & Co. in Makawao
Melody Koerber in the Holiday & Co. window

Holiday & Co. is located at 3681 Baldwin Ave. in Makawao. For more information on artists Deybra Fair and Melody Koerber, visit their websites at deybrafair.com and melodycostumes.com.

The 52nd annual Makawao Paniolo Parade is scheduled for tomorrow, Saturday July 1st at 9am. The event starts on Baldwin Ave. and continues onto Makawao Ave. For more information, contact Parade Chairman Duane Hamamura at 268-8729 or email dhamamaui@gmail.com.

Oprah: Live Your Best Life

Today Oprah Winfrey gave her first talk on Maui, a free event sponsored by HMSA and Sharecare. “Live Your Best Life” took place in the outdoor amphitheater of the Maui Arts & Cultural Center. While it was a hot day under the sun and there was a lot of waiting for the main event, Oprah’s talk was ultimately inspiring and I was glad to have had the opportunity to see her in person. Expecting to hear more of an advertisement for the sponsors, I was pleasantly surprised to instead get a solid hour of stories from Oprah that spoke to the importance of embracing our own energy and purpose in the world.

Arriving at the MACC a half hour before the doors opened, traffic was backed up all the way to Kaahumanu Ave. The line of people waiting to get in snaked down the sidewalk and around the corner onto Kahului Beach Road, continuing to grow. I heard folks mentioning that they’d never seen this big of a crowd lined up at the MACC. Is there anyone more popular than Oprah?

As soon as the gates opened at 10:00am, the line moved pretty quickly and entrance was well organized. During the first two hours of the event, the crowd was entertained by live music and appearances by HMSA’s Senior Vice President and Trini Kaopuiki from KHON2 News.

Around noon, Oprah took the stage. She explained that she’d been encouraged by Dr. Oz to give a talk on Maui. Because one of her homes is here Upcountry, she wanted to reach out to her neighbors. While Dr. Oz and Oprah are both investors in Sharecare, an internet health resource and app, the talk was not focused on that. It really was a motivating collection of narratives that summed up her thoughts on how to live our best lives.

She spoke about how each of us can use our unique personality to “serve the energy of the soul” and find power in being a part of something bigger than ourselves. She talked about how everyone wants to live the highest, fullest expression of themselves as a human being. Using stories from her talk show days, she described how she came to believe so strongly in the power of intention. What you put out into the world is what’s coming back, and the intention behind every action determines the outcome. Deciding to use television to inspire people rather than being used by tv strictly for entertainment, Oprah found greater success and personal fulfillment. In her words, she wanted to “shift the paradigm,” and she encourages others to use their talents to serve a higher calling. “It will change your life,” she explained.

Talking of her days growing up too poor to have Christmas presents and of how the nuns from the church brought food and toys to her family, she shared the reasons that she wanted to give back and do positive things for others, like building the Leadership Academy school for girls in South Africa. She also told of the common thread found in all of her interactions and interviews with people from all walks of life…everybody just wants to know that they’ve been heard and that what they’ve said means something.

Oprah described how the thing that changed her life the most is gratitude. Focus on what you’re grateful for and it will change your vibration and frequency in the world. She let the audience know that what she really wants to hear about herself from others is that she is content. She concluded with a story of Maya Angelou telling her that she couldn’t know yet what her legacy would be. “Your legacy is every life you touch,” Oprah said, “You leave your hand and heart print on the world.”

Piero Resta: Illuminatus

Stepping into the Piero Resta: Illuminatus exhibition at the Maui Arts & Cultural Center’s Schaefer International Gallery, I had no idea what to expect. I’d seen images of his colorful artwork and had some knowledge of his eccentric life on Maui, but did not anticipate being so moved by this beautiful tribute to a very fascinating and talented man. Resta’s art pieces were displayed in deliberate sections throughout the gallery, with each area embodying a different time in his creative life. Beginning with his youth and weaving around the walls to his final days on Maui, this installation was so well-thought-out and clearly pieced together with genuine love for the artist, I found myself with tears in my eyes by the end.

“This retrospective exhibition honors Maui artist Piero Resta (1940-2015) whose life was infused with passion as a celestial navigator between natural and mythological worlds,” the story begins. With a prolific mix of drawings, paintings, and sculptural works, Resta’s legacy lives on in his visual storytelling.

Born in Voghera in Northern Italy, Resta studied at the Institute of Leonardo Da Vinci in Rome. The inspiration for much of his artwork grew from these early days surrounded by Roman culture, architecture, sculpture and fresco paintings. In 1963, he moved to New York’s Chelsea District and became a fashion photographer. During this time, he was fully immersed in the creative culture of 1960’s New York. Resta was involved in experimental filmmaking, became a part of the poetry scene along with Allen Ginsberg, and worked with artists at Andy Warhol’s Silver Factory.

“My arms are the wind as I spin on the stone in the high hills of the sun.” (Piero Resta)

He moved to Bolinas, California in the 1970s and started a theater company, integrating live performances and gatherings with poetry, music, visual arts and film. There he lived as a nomad and explored hallucinatory indulgences, finding freedom and self-discovery in his youth.

Moving to Maui in 1978, Resta continued to live as an adventurer, starting off in a jungle hale in Huelo, then moving around the islands on a catamaran, and later relocating to Paia where he created his own art scene with Piero’s Garden Cafe, which included a studio and gallery space. His artwork shifted from drawing to painting during this period, with a style that fused symbolism with imaginative narratives. Figurative works were inspired by his many friends, models, and muses.

Collection of watercolor, pastel, and mixed media figures (1984-1985)
“The Arches of Neptune” acrylic on canvas (1987)

In 1991, he moved to Kaupo on the slopes of East Maui. Resta became immersed in Hawaiian culture and was further influenced by the island’s natural world. He created an artists’ sanctuary here, “Villa Tamarinda,” where he produced several pieces and collaborations themed around the cosmos and mythology. His style evolved to include more three-dimensional works in wood, stone, bronze, fountains, and architecture. Paintings became more abstract and tactile, merging spiritual transcendence with celestial imagery.

“Untitled” ceramic, wood, concrete (1999)
“What Lies Within” mixed media (Earth Temple Series 1999)
“Red Dog” ceramic (1990s)
“Ceramic Head” (1990s)

Inspired by Homer’s Odyssey, the central piece of the exhibit is Resta’s wall-sized acrylic on canvas, “Epica.”

“Epica” (2011)

With mediums from wood to bronze, and mixed infusions of natural elements such as sand, the artist’s versatility was ever evolving.

“Amana” wood (2006)
“Fortuna” acrylic on canvas (2001)
“Celestial Navigator I with Sand” pigments, sand, gold on canvas (2010)
“Invisible Cities II” acrylic on canvas (Illuminatus Series 2008)
“Owl” bronze (2000)

Piero Resta was diagnosed with cancer in 2013. In his final years, he continued the creative journey with contemplative works that expressed his pathway towards healing through acceptance of the coming transformation, rebirth, and the afterlife. His art took on a new energy with a harmony of light and darkness and a focus on the portals and doorways of the cosmos. Embracing mortality, awareness, and a graceful ability to be in the moment exemplified the life of a true artistic visionary.

The exhibit closes with a poignant homage…

Piero Resta took his last physical breath on September 8, 2015. Just before this happened, he said:

“my last breath will be an ocean.”

The Piero Resta: Illuminatus exhibition at the MACC’s Schaefer International Gallery runs through July 16th, 2017 from 10am-5pm Tuesdays through Sundays. For more information, visit the MACC website.

Jacarandas in Bloom

Signaling springtime on Maui are my favorite trees, Jacarandas. Originating in Central and South America along with the Caribbean, they’ve now been spread throughout numerous tropical and sub-tropical climates around the globe, especially in South East Asia. It is believed that the trees were introduced to Hawaii in the late 1800’s and planted on the slopes of Maui by Portuguese ranchers.

Thanks to efforts by Maui’s first Mayor Elmer Cravalho, rows of these beautiful trees line the roads Upcountry. Raised in Kula’s Keokea area and of Portuguese descent, Cravalho worked as a legislator in the 1950’s to direct the planting of jacarandas along the Kula and Pukalani highways.

The name jacaranda means “fragrant” in Guarani, an indigenous language widely spoken in South America. Jacaranda mimosifolia are the variety best known Upcountry. All along the landscape, bright purple blooms stand out against the greenery. Blossoms rain down until there is a colorful ring completely covering the ground around the base of the trees and even in places on the roadway.

Jacaranda season begins in Spring. Lower elevations tend to bloom first with Makawao and Pukalani in full splendor in April. The colorful display works its way up the slopes of Haleakala, with Kula and Keokea blooming from April into May.

Here on Maui, the arrival of purple blossoms means lots of photographers and painters will be parked on the sides of the roads, vying for the perfect angle on many of the trees. Drive carefully during peak season as tourists and locals alike can be seen walking near the highway to get their own photo of a lifetime.

Mixing It Up with Loquat

Upcountry is the perfect growing climate for a wide variety of plants, including fruits from different parts of the world. I first came across loquat here on Maui, and became curious about its origins. After tasting the fruit right off the tree and freshly washed, I wanted to know more about the loquat and get some ideas for using it in recipes.

The loquat evergreen shrub or tree (Eriobotrya Japonica) is native to China and is thought to have been introduced to Hawaii as early as the 1780’s. Loquats are subtropical trees that do well in elevations from 1,000-5,000 feet. Flowering in autumn or early winter, the fruit ripens in the spring and summer. Loquat grows in clusters of small, rounded fruit with a thin, orange-yellow skin.

Loquats are high in fiber as well as vitamin A, potassium, and manganese. Their sweet, tangy flavor is described as a mix of peach, citrus and mango. To me, they taste like a very mild pear with hints of apricot and citrus. The seeds are large and easily removed. There can be anywhere from one to four seeds in each fruit. The skin is soft and edible.

Loquats can be used to make jams, jellies, pies, and chutneys. I decided to try them in a salsa, improvising this quick recipe:

    12 ripe loquats (pitted and diced)

    1/2 medium yellow onion (diced)

    juice from 1/2 lemon

    salt and pepper to taste

I like to keep mine simple, but this salsa could be punched up with some added diced tomato, cilantro, or hot peppers. This easy recipe goes great with fish, served here with whole grilled opakapaka snapper.

Loquats are a versatile fruit with a unique flavor that works well in sweet and savory dishes. They’re also a tasty snack picked fresh from the tree. Check them out while they’re in season.

Akihiko Izukura: The Way of Natural Textiles

Make the effort (put your make-up on, comb your hair, drive to the MACC) to see Akihiko Izukura’s installation at the Schaefer International Gallery before March 19th, 2017. Akihiko Izukura, a Japanese master of dyeing and weaving silk, is from Kyoto, Japan.

The material he works with is silk, but the exhibition is so much more. Words are not adequate to describe his installation. A large part of his work includes the element of time. Consider that the silk worms are fed and cared for, which takes lots of effort and hours. Izukura has nurtured a consciousness of sustainability and has done extensive research on materials for sun dyeing. Sun dyeing takes months and years for the colors to take. His new process is combined with what his ancestors developed over 2,000 years ago. Recognizing time as one of the important elements of his work slows your breathing down. It took years of preparation to bring this show to Maui, so I savored every moment of experiencing the exhibit.

Opening the door and walking into the gallery, the viewer is greeted by a large cocoon and is invited to take off their shoes and walk through. The ambient electronic music playing inside was created by San Francisco-based composer Christopher Willits. Within the cocoon are large hanging orbs. One is made by the silk worms. Izukura placed them on the ball and instead of making cocoons they just created the silk on the ball itself. Installation artists like Izukura see the viewer as part of the piece. Walking into his artwork, taking in the music as your eyes focus on the orbs and the surrounding silk weavings, you as a viewer complete the installation.

The exhibit also showcases Izukura’s silk weaving with colorful textiles and fashions available for purchase at the gallery.

Akihiko Izukura: The Way of Natural Textiles
 at the Maui Arts & Cultural Center’s Schaefer International Gallery
 runs from January 15th through March 19
th. The gallery is open from Tuesday through Saturday from 10am-5pm as well as before and during intermission for Castle Theater shows. Admission is free.

On Saturday, March 4th during “Observe & Play Family Day,” a live performance by musician Christopher Willits will take place from 10am-12pm.

For more information about the exhibit and the artist, visit the MACC website and Akihiko Izukura’s site.